An idealistic vindication of architecture
DOI:
https://doi.org/10.5821/palimpsesto.10.3663Keywords:
Renaissance, Drawing, BuildingAbstract
It is common knowledge that people dedicated to Philosophyand Arts we have no ability to successfully solve smallproblems such as installing a lamp or building a tiny timberconstruction for a child.
However, a quick check in my readings’ memoris made meremember a very significant fact: I reminded myself that oncethe architect Francesco da Giorgio had to submit a project ofhis to the opinion of a court formed by three people. One ofthem was a humanist, a man of letters: Fortunio Spira. Theother two members of the court where a remarkable architectnamed Serlio, and an extremely renowned painter of the sameItalian Renaissance: Titian.
I thought that if in another time it was considered appropriateto use a man of letters to collaborate on an assessment ofarchitecture, this could be considered a precedent to allow themen of letters of the twentieth century to participate in the debateabout the art of drawing and building.
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