Digital manufacturing. A theoretical and operational approach to the contemporary project
DOI:
https://doi.org/10.5821/palimpsesto.16.4873Keywords:
Project, theory, practice, representation, Craftwork.Abstract
The integration between design, representation and fabrication that digital technology allows, opens up new possibilities for the project. Thus simultaneous processes replace the traditionally sequential processes. This simultaneity can be linked to a pre-modern architectural conception. The CAD/CAM systems connect mind and hand, creation and production. This allows a collaborative working within the project, reshaping the author’s concept. The connection between craftwork and these new technologies permits to think of these technologies as a kind of digital manufacturing; capable of re-signifying the link between knowledge (software) and materialization (hardware), between theory and practice. In this context, the following research proposes a theoretical and operational discussion about the technological implications on architecture and its disciplinary development, considering also the challenges of contemporary reality.
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PROTECTION AND INTELLECTUAL PROPERTY CRITERIA
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