Oliverio Girondo en el paisaje cultural de los Montes del Tordillo: estudio de las analogías existentes entre el paisaje en la poesía de Girondo y de su poesía en la fisiografía del lugar

Abstract

The following work aims to investigate the analogies between the landscape of the Montes del Tordillo and the poetic work of Oliverio Girondo. Our approach is carried out from the perspectives simultaneously: the traces of the landscape in his poems and, analogously, the traces of the bodies in the physiography of the montes. The starting hypothesis is that, even though he does not specify it in any of his poems, the Argentine poet knew in depth the landscape of the Montes del Tordillo so that his link with it is associated with what human geography calls topophilia, that is, the feeling of attachment, of appropriation of space that links people to the places with which they feel identified. Yi Fu Tuan considers that the landscape transcends the personal to become symbols and, in this sense, we postulate that it is possible to trace those links in the work of Oliverio Girondo. While it is possible to observe them in the landscape of the montes of Tordillo. This work of bibliographic research is part of a larger qualitative research project that, from the phenomenological perspective and through the ethnographic method and in-depth interviews as well as perceptual and experiential walks, investigates the perceptions, subjectivities and horizons of representations of the inhabitants and how they coexist with the traces of those who inhabited it and passed through the place in the past, forming a palimpsest of resonances of stories and stories that make up the cultural landscape of the Montes del Tordillo.