Graphic Thinking in the Project Methodology of Carlo Scarpa

Abstract

Carlo Scarpa, considered one of the masters of modern architecture of the second half of the 20th century, combines architecture and design through a project methodology that prioritizes graphic reflection over immediate inspiration. His scrupulous creative process is reflected in the architect's graphic documentation, which has progressively been concentrated in the MAXXI architecture archive in Rome. The approximately thirty thousand documents in the archive allow us to understand and sequence his project process, which used drawing as a central tool for reflection. This article aims to delve into the creative thought process, analyzing the graphic techniques and procedures that the Venetian architect used when approaching the design of his projects, as well as his evolution during his years of profession, perfecting his project methodology. The investigation required the comparative study of the graphic documents, revealing unpublished examples that illustrate the essence of what is defended. For the ordering of ideas and the evolutionary sequence of his method, we used the analysis of relevant writings, interviews, and transcripts of his lectures, ordering the graphic documents chronologically in order to demonstrate the changes that have occurred over time. From this analysis it is concluded that Scarpa presents a unique creative sensibility, a search for perfection, a level of purification and sophistication of the project method in which his ability to use drawing as an instrument of thought, design and communication stands out.