Del espacio para las pantallas a las pantallas como espacio

Authors

DOI:

https://doi.org/10.5821/palimpsesto.24.11884

Abstract

The show that is cinema required appropriate spaces to accommodate larger screens on which moving images were screened. Architects had to create spaces that would transport the viewer into a dream world, in line with the world depicted in the films, to accommodate more and more people, to arrange them in the direction of the screens and to achieve darkness. Television came to change the status quo, images emerged from a box with a screen on one side. The gadget was incorporated into homes without any specific location or special lighting requirements. The coexistence between cinema and television will highlight the existence of two types of screens. On the one hand, the surfaces that receive and reflect the images projected on them. On the other, those where the images are projected from the inside. All this opens a wide range of possibilities in the use of images in motion. The article considers the experiences of artists and architects in their work with screens as they explore their capacity to generate space.

Author Biographies

Iván Rincón Borrego, Arquitecto Universidad de Valladolid

Doctor Arquitecto Universidad de Valladolid

Eusebio Alonso García, Arquitecto Universidad de Valladolid

Doctor Arquitecto Universidad de Valladolid

Sara Pérez-Barreiro, Universidad de Valladolid

Doctor Arquitecto Universidad de Valladolid

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Published

2022-12-01