Vivre sa vie
DOI:
https://doi.org/10.5821/palimpsesto.09.2815Keywords:
arquitectura, palimpsesto,Abstract
During the summer of my first year of college I did an internship at an architecture firm in Paris, where I happened to discover Vivre sa vie, a 1962 film in which the director, Jean-Luc Godard, develops essentially two themes: the relationship established with the viewer, and the editing technique.
In a similar way, at our office we have approached architecture in the fashion of craftsmen, focusing in two subjects: the technique or design process, and the users. Within this design process there are three themes that we especially value: collecting (as the act of taking out of context an object and assigning a new value to it), reversibility (the recognition of interior and exterior spaces, noncontinuous but reversible) and permeable materiality (through the choice of a specific material and the exploration of it possibilities).
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