About the usefulness and prejudice of history and theory for architecture

Authors

  • Antoni Ramon Graells Technical University of Catalonia (UPC)

DOI:

https://doi.org/10.5821/ace.12.34.5293

Keywords:

Architecture, theory, history, education

Abstract

The aim of this article is to elucidate the role of History and Theory in the Architecture studies. The writing starts with a conceptual approach supported by a wide range of philosophical texts ranging from Nietzsche and Marx to Skinner and Gadamer. It, as well as highlights some fragments of architectural treatises of Vitruvius and Alberti. These readings allow the reflection about the relationship between theory and practice, as well as the instrumental role and/or utility of the Theory of Architecture.

After this introduction, the paper's framework is the School of Architecture of Barcelona. The genealogy of the classes in History and Theory is studied since the founding of the school, to then expose and interpret the past and recent changes in the curriculum. After reasoning the chaining of the subjects of Theory and History along the studies, it delves into the analysis of one of them: Basis for Theory. One observation that allows to test the possibility of a new pedagogy.

The text concludes by drawing a map of threats and opportunities in this process. Threats mainly come from the lack of resources to deploy the guidelines of the European Higher Education Space as well as from the poor preparation, and often from the lack of teachers’ conviction in its implementation. The opportunities consist in the possibility to deploy a teaching not based solely on lectures and hence, giving an organic sense to architectural studies, integrating at once all departments on common tasks.

Author Biography

Antoni Ramon Graells, Technical University of Catalonia (UPC)

Dr. Architect, Associate Professor of the Department of Theory and History of Architecture and Communication Techniques (UPC), at the School of Architecture of Barcelona. His research lines are developed mainly in two branches: the theory and history of modern architecture, and more specifically the end of the nineteenth century, and theatrical architecture. In the first of them he has worked in the inventory of the Montaner fund of the Historical Archive of COAC and as curator of several exhibitions, besides being author of several books. In relation to studies in the performing arts, he participates in the Master's Degree in Theater Studies and is member of the Scientific Committee of the Catalan Performing Arts Project (PRAEC). He was also editor of the Special Plan for the Protection and Improvement of the Theaters of Barcelona, 1991 and has been the principal investigator of several research projects.

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Published

2017-07-02

Issue

Section

Special section