Luvina, Juan Rulfo: matter of project

Authors

  • Rubén Muñoz Rodríguez Universidad del Bío-Bío, Concepción, Chile
  • Giuliano Pastorelli Paredes Universidad del Bío-Bío, Concepción, Chile

DOI:

https://doi.org/10.5821/jida.2021.10529

Keywords:

Luvina, Juan Rulfo, tectonics, imaginary, hieritage

Abstract

The project workshop exercise that is presented -corresponding to the fifth semester- proposes a collective immersion into a cultural imaginary from which to nurture the material reflection of the project. The thesis implicit in this approach proposes how in the written word it would be possible to find matters of interest not only to understand architecture and territory, but also to think about it and project in it, presenting a project exercise inserted in the tale "Luvina" by Juan Rulfo. An attempt would be made to scrutinize literature as a record of memory, as a hieritage value, as a project matter, developing critical-poetic thinking from a transdisciplinary approach. From the cultural imaginaries of Rulfo's narration, the students reconstructed the architecture and landscape of "Luvina" and projected - in a situated way- works of architecture, buildable and habitable, with the emphasis on the cultural conception of the tectonic aspects of the project.

Author Biographies

Rubén Muñoz Rodríguez, Universidad del Bío-Bío, Concepción, Chile

Architect, Universidad del Bío-Bío, 2000. PhD in Architecture at ETSA, U. de Sevilla (2014). Since the year 2005 he teaches at the Department of Design and Theory of Architecture of the Universidad del Bio-Bío, where he dictates the chair of Project, and the Workshop in Project Practices of the Latin American Master of Architecture. He has made publications about contemporary project methods, about architecture imaginaries from literature, about the light in the project and sacred architecture.

Giuliano Pastorelli Paredes, Universidad del Bío-Bío, Concepción, Chile

Architect, Universidad del Bio-Bío, 2008. Candidate at Latin American Master of Architecture, Universidad del Bio-Bío. Since 2015 he teaches at the Department of Design and Theory of Architecture, Universidad del Bio-Bío and in the Architecture School of the Universidad San Sebastian. In both, he dictates the Project subject.

 

References

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JIMÉNEZ, V.; VITAL, A.; y ZEPEDA, J. (2007). Tríptico para Juan Rulfo: poesía, fotografía, crítica. México: UNAM.

MUÑOZ RODRÍGUEZ, R. (2018).”Arquitectura de palabra: creación, imaginarios, memoria y existencia” en Muñoz, R. et al. Arquitectura de palabra: Leticia y melancolía. Concepción: U. del Bío-Bío, pp. 13-51.

PALLASMAA, J. (2016). Habitar. Barcelona: Gustavo Gili.

PARRA BAÑÓN, J.J. (2003). Pensamiento arquitectónico en la obra de José Saramago. Sevilla: Aconcagua.

RILKE, R. (1925). “Carta dirigida a Witold von Hulewiz”. En: TEILLIER, J. (1955). “Los poetas de los lares” en Boletín de la Universidad de Chile, vol. 56, pp. 52-53.

RUDOFSKY, B. (1964). Arquitectura sin arquitectos. Nueva York: Museo de Arte Moderno.

RULFO, J. (1978). “Luvina” en Antología personal. Ciudad de México: Nueva imagen.

TEILLIER, J. (1963). Poemas del país de nunca jamás. Santiago de Chile: El Viento en la llama.

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Published

2021-10-28

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Section

PAPERS